Pictured (top) are my paternal grandparents, Carl and Lillian Crain, with twin calves in 1951. The second photo is of my grandparents dressed for church.
Pictured are my grandparents in 1961 with their Guernsey cow and her twin calves.
My
paternal grandparents ran a Saturday milk-and-butter route in Greenville, S.C.,
in the early 1950s. I was then a child and loved the adventure of riding along
to deliver moo juice and butter to a few city dwellers who wanted milk products
“straight from the cow.”
My
grandparents “on Daddy’s side” lived near Mountain View, a rural section of
Greenville County. My parents, my younger sister, and I lived nearby. Most of our
kin lived within 20 miles of each other.
My
tall, thin, black-haired Grandmother Lillian didn’t like being called “grandma,”
so, to me, she became “Ma.” Granddaddy Carl became “Pa.”
A
carpenter and farmer, Pa was thin till he threw his last pack of “Camels” way out
into his cornfield when I was a kid. After that, a “bay window” grew onto his
5-ft. and 8-inch torso. Biscuits, ham, sausage, grits and red-eye gravy put
pounds on Pa after he parted ways with “Nick O’Teen.” After quitting smoking, Pa
fit in better at the Pentecostal church our families attended.
Pa
tried factory work three times – during
which he labored evenings or nights at Woodside Mill (textiles) in Greenville,
S.C. – but Ma worried and couldn’t stand Pa working second or third shift. They
had sons – J.B., my father, and my Uncle Fred – but Ma wanted Pa home at night,
because she’d hear things howling after dark, and she’d get “all tore up.”
Ma’s
father, a farmer, had told her about a time when he was riding horseback on a
dark night and a “painter” (a cougar or puma) “got after him.”
“Daddy
heard that painter running behind him,” Ma told me. “He rode hard to home, jumped
off and run in the house. He saw that painter come in the yard. It scared the
horse but didn’t bother him before he left.”
Ma
had a melancholy temperament. She’d play her guitar and sing tearful tunes such
as “Take Me Back To Renfro Valley” by
John Lair. That song contains these words about Renfro Valley, Kentucky: “I
was born in Renfro Valley / But I drifted far away / I came back to see the old
home / And my friends of other days / Gone are old familiar faces / All the
friends I used to know / Things have changed in Renfro Valley / Since the days
of long ago.”
Lillian
Crain plays her guitar in her later years.
My
grandparents’ tin-roofed house sat about 100 yards off a paved road. It had no underpinning
and rested on rock pillars. Two beagles, Mack and Tillie, lived under that abode.
Ma
and Pa raised two hogs each year and kept chickens, two mules, and two cows. Pa
preferred Guernsey or Jersey cows. “Their milk is richer than Holsteins,” he
said.
Pa
milked twice a day, and Ma strained the milk. She let it sit for a while and
then poured off the top creamy part of the milk. Most of the milk went into the
refrigerator and was used for drinking. The creamy milk went into a hand-operated
churn in order to separate out the butter. Sometimes, I churned for Ma – moving
a plunger up and down inside a large, brown butter churn.
Ma
strained that churned milk and butter and consolidated the butter into a mass.
The milk that went through the strainer during that process was placed in the refrigerator
and used for buttermilk. “Buttermilk is the liquid left behind after churning
butter out of cream,” according to “Wikipedia.”
Ma
cooled the butter with ice and placed part of that butter into a wooden mold.
She held the mold over a plate and slowly pushed down on the mold’s plunger
handle. The butter eased out as a “cake,” with a decorative design embossed (by
the mold) on the top of the cake. Ma wrapped each of several cakes of butter in
wax paper and stored them in the refrigerator.
On
Saturday mornings, Ma and Pa loaded their car with milk products and we headed
down Hwy. 253. We turned left onto Poinsett Hwy. in Greenville and passed
Bruce’s Auction Barn where folk sold cattle, horses and mules. We drove on a
tall bridge, and below us lay a railroad track and a giant junkyard. I often
saw a steam shovel moving crushed cars. The scene reminded me of an illustrated
children’s book Mother gave me: “Stevie the Steam Shovel.” I liked that book
because Mother called me by my middle name, “Steve.”
Our
first milk stop was in a cul-de-sac. A thin, brown-haired woman bought a gallon
of fresh milk. A lady across the street took some of Ma’s butter and milk. We
made other stops, but I especially recall this one:
One
Saturday, we trekked up stone steps to an old house where a lady lived with her
near-grown son, Steve. She invited us in and showed us some of Steve’s oil
paintings. Steve met us but didn’t say much. One of his works depicted an antlered
elk standing tall among mountain trees. I thought, “Someday, I’d like to paint
like that.” The son’s artwork stirred me, and his name, “Steve,” seemed to
confirm, in my young mind, a kind of “brotherhood.” I later became a high
school art teacher. I liked to draw before I saw Steve’s painting, and there
were other art influences that came later into my life, but there was something
special about seeing Steve’s elk painting and finding out we had the same name.
One never knows what inspiration one may find on a milk-and-butter route.
Mr.
Robertson’s house was next in our usual routine. He lived high up off the
street, across from Holmes Bible College, then located in downtown Greenville.
Mr. Robertson (Mr. R) worked with the railroad as an engineer, I think. He was
self-confident and liked Ma’s milk and buttermilk. His wife was quiet. Mr. R
asked about hunting quail on Pa’s farm, so Pa invited him to his farm. One
Saturday afternoon, Mr. R showed up in the latest hunting gear: hunting vest,
hunting hat, and tall boots. I’d never seen an “in the flesh” man dressed like
he came out of an ad in “Field & Stream Magazine.”
Mr.
R did some shooting out among Pa’s 26 acres. The only problem was that Uncle
Jim, one of Pa’s younger brothers, lived down the road. When Mr. R started
shooting near Jim’s house, Jim, who wasn’t one to hold back opinions,
quick-walked up into Pa’s field.
“You’ve
shot up every bird around here,” Jim told Mr. R. “I think that’s about enough.”
Mr.
R ended his bird-blasting and high-tailed it back to the city, where Uncle Jim
thought he belonged.
Our
last stop on Ma’s milk-and-butter route was near Mr. R’s residence. We walked
from his house to reach the backdoor of a small, old house. A fenced-in
alleyway lay behind the house we approached because city garbage-collecting
trucks drove behind that house and others to make pick-ups.
I
remember one Saturday when we moved through two gates and knocked on the back
door of the small house.
“Well,
hello,” an elderly lady said to Ma. “I see you have the little fellow with you,
today.”
I
often had seen the two little sisters. They wore print dresses and kept their
gray hair in buns. Their thin ankles, slightly rounded middles, matchstick
arms, and small noses caused me to think of them as birds flitting around
inside a little birdhouse.
The
more talkative sister took a gallon of milk and two cakes of butter from Ma and
said, “We have something for the little fellow.”
From
her kitchen table, she took a small cloth bear she and her sister had made by
hand. He was light teal in color and had embroidered black eyes, a black nose,
and a smiling red mouth. He had padding (stuffing), but was no more than a
half-inch thick. He measured 3.5 inches wide from extended arm to extended arm
and 4.5 inches high from bottom of leg to top of his head, not counting his
ears.
I
still have that bear. He’s been with my wife, Carol, and me through the raising
of two daughters who played with him. We’ve always called him “Little Bear.” He’s pretty worn, but he
sits in a small rocking chair on a box on our kitchen table. One look at that
bear and my mind goes back to many wonderful Saturdays I spent with Ma and Pa
as we rode along on Ma’s milk-and-butter route.
Pictured is the little stuffed bear I still
have.